Home of the Blues, Ready for a New Light Show
Memphis is a city where the calendar never really goes quiet. May brings the Memphis in May World Championship Barbecue Cooking Contest, August stacks Elvis Week against the FedEx St. Jude Championship at TPC Southwind, and December closes with the AutoZone Liberty Bowl and St. Jude Memphis Marathon Weekend. Between those anchors sits a venue mix that ranges from the Renasant Convention Center and FedExForum to Simmons Bank Liberty Stadium, the Orpheum Theatre, and Bass Pro Shops at the Pyramid.
The audience is just as varied. Logistics and distribution, healthcare and medical research, agribusiness, hospitality and conventions, and music and entertainment tourism all run through the city, which means a single installation can be built for a convention delegate, a visiting fan, or a family on a Graceland pilgrimage.
That range rewards projection mapping and immersive production. Landmarks such as the Hernando de Soto Bridge, Tom Lee Park, Crosstown Concourse, and the National Civil Rights Museum give brands and event teams surfaces with built-in gravity, and the new Memphis Art Museum downtown adds another stage to the map.
Take A Closer Look
A Deeper Look Into Animation & Visual Story Telling

A Deeper Look Into
Projection Mapping
Projection Mapping: Turning Any Surface Into a Story
Projection mapping is the process of fitting light to a three-dimensional surface rather than throwing a rectangle at a screen. Instead of a single flat image, the projected content is warped and aligned to the actual geometry of a building, object or room, so every corner, column and curve reads as intentional. A flat screen shows the same picture to everyone from one angle. Mapped projection turns architecture into the display, and it can be paired with interactive installations, room-scale environments or projection domes when the story calls for it.
In Memphis, that opens up surfaces a screen cannot match. The facade of the Renasant Convention Center, the exterior of FedExForum, the grand frontage of the Orpheum Theatre and the industrial scale of Crosstown Concourse all carry content across their real shapes. Bass Pro Shops at the Pyramid gives a mapped pyramid form, the Hernando de Soto Bridge spans the river as a long horizontal canvas, and the National Civil Rights Museum, Graceland and Simmons Bank Liberty Stadium each offer a distinct architectural face for an evening.
Building and Architectural Projection
Object and Product Projection Mapping
Interactive Projection
Room and Environment Mapping
Dome Projection
Why Memphis Is a Natural Fit for Projection Mapping
Memphis audiences have seen big productions before. Between the FedExForum, Simmons Bank Liberty Stadium and the Renasant Convention Center, this is a city that hosts touring shows, playoff runs and national broadcasts on a regular schedule. Add the Orpheum Theatre's season, the AutoZone Liberty Bowl in December and the FedEx St. Jude Championship at TPC Southwind in August, and you have a market that reads spectacle fluently. A brand cannot arrive with scale alone and expect to be remembered. Memphis crowds judge an activation the way they judge a headliner: on whether it said something, not just on whether it was loud.
That expectation is shaped by what the city actually does. Memphis in May brings the World Championship Barbecue Cooking Contest to Tom Lee Park each May, a event built on craft, rivalry and long-standing reputation rather than novelty. Elvis Week in August draws pilgrims from around the world to Graceland who arrive with deep personal attachment to the story being told. The National Civil Rights Museum holds a standard of gravity that no marketer can treat casually. In each case, the audience already knows the subject. They are not waiting to be introduced. They are waiting to see whether a brand understood it.
The city's economy reinforces that seriousness. Logistics and distribution run through this region constantly, which means a large share of the local workforce thinks in terms of precision, timing and tolerance for error. Healthcare and medical research, anchored by St. Jude Children's Research Hospital and the St. Jude Memphis Marathon Weekend each December, give Memphis a culture of rigor and public purpose. Agribusiness across the surrounding region and a hospitality and conventions sector that fills downtown hotels year round add two more audiences with sharply different reasons to pay attention. Music and entertainment tourism and sports and live events tie it together: people come here for something specific, and they know the difference between an experience made for them and one made for a press release.
Spectacle alone also runs into the physical facts of the city. A projection on the Hernando de Soto Bridge, a room-scale environment inside Crosstown Concourse, an installation at Bass Pro Shops at the Pyramid or an event at the new Memphis Art Museum downtown each sit in a distinct context, with its own sightlines, its own crowd flow and its own meaning. Outdoor special events are filed with the City of Memphis Permit Office and require sign-off from the Memphis Police Department Special Events unit and Traffic Engineering for street closures, so ambition has to be planned, not improvised. Memphis rewards work that is specific to the place, legible to the people standing in front of it, and built to be talked about long after the lights go down.
Lumen and Forge: Production Muscle for the Bluff City
Over 15 years of producing large-scale projection mapping and immersive experiences for globally recognized brands gives Lumen and Forge the operational depth Memphis productions require. Our portfolio includes building projections for Nike and Air Jordan at NBA All-Star Weekend, large-scale convention experiences for Toyota, McLaren, and Mastercard, a world record video game screen at the Tropicana, and the Beneath the Blue 360-degree dome for National Geographic. Our team is comfortable working alongside experienced production crews and holding a technical standard in front of an audience that knows the difference, which is exactly what Memphis requires.
Who We Work With in Memphis
Memphis runs on a mix of freight, medicine, music and sport, and each of those worlds books projection mapping for its own reasons. Here is who tends to call us.
- Logistics and distribution. Companies moving freight through the region use building projection for recruiting events, safety milestones, and customer appreciation nights. A mapped facade turns a distribution campus or a downtown venue into a backdrop that reads clearly in photos and video, which matters when your audience is spread across multiple terminals and time zones.
- Healthcare and medical research. Research institutions and hospital systems hire us for donor recognition evenings, fundraising galas, and awareness campaigns. Object mapping onto a podium, a sculpture, or an architectural feature lets a single moment carry the weight of a campaign without turning the room into a trade show floor.
- Music and entertainment tourism. Venues and attractions around Beale Street and the Mississippi riverfront use projection to extend a show past the stage. Interactive installations and room-scale environments give visitors something to walk into, and seasonal programming around Elvis Week in August keeps a property fresh without a full rebuild.
- Sports and live events. Teams, bowl committees, and race organizers need content that survives a jumbotron, a concourse, and a fan's phone screen. We produce building projection and object mapping for fan activations, sponsor moments, and pregame sequences.
- Agribusiness. Regional agricultural and commodity businesses use projection at annual meetings, trade showcases, and community events where a mapped wall or product reveal does more than a slide deck.
- Hospitality and conventions. Hotels, convention organizers, and event producers bring us in for welcome receptions, brand launches, and opening night moments, often on tight load-in windows and with a client's brand standards to hit.
If your audience is in Memphis, the room is probably already full of stories worth projecting.

Ready to Light Up Beale Street?
Frequently Asked Questions: Projection Mapping in Memphis
Standard projection displays a flat image on a flat screen or white wall. Projection mapping uses specialized software to warp, align, and calibrate video content so it fits precisely onto any three-dimensional surface, whether that is a building exterior, a custom sculpture, a vehicle, or an entire room. The software accounts for every edge, angle, and curve, so the content appears to belong to the object itself rather than simply being cast onto it. In a city full of working production professionals, that level of precision is what separates a real installation from a lighting effect.
Yes. Memphis gives you a long outdoor season, with most large-scale activations running from spring through fall. Summer evenings stay bright late, so plan cues for full dark, usually after 9 p.m. in June and July, and earlier in shoulder months. Humidity, heat and riverfront wind off the Mississippi at Tom Lee Park or the Hernando de Soto Bridge affect hardware, so specify weather-rated enclosures and rigging. Ambient light from street lamps, venue marquees and downtown signage matters too, which is why higher-output projectors and controlled sightlines are standard for outdoor work here.
The Renasant Convention Center offers expansive exterior walls for large-scale building projection, while FedExForum suits object mapping and room-scale environments for sports and live events. The Orpheum Theatre, National Civil Rights Museum, Graceland, Bass Pro Shops at the Pyramid, Crosstown Concourse, and Tom Lee Park each bring distinct surfaces and audiences. The Hernando de Soto Bridge and Simmons Bank Liberty Stadium handle major outdoor spectacles, with the new Memphis Art Museum downtown adding another landmark.
Memphis events that suit projection mapping activations include the Memphis in May World Championship Barbecue Cooking Contest in May, Elvis Week in August, and the FedEx St. Jude Championship at TPC Southwind in August. The AutoZone Liberty Bowl and St. Jude Memphis Marathon Weekend both land in December, and the new Memphis Art Museum downtown adds another landmark.
Yes. Lumen and Forge coordinates permits, power, rigging and site logistics with the venue as part of every Memphis installation. For outdoor special events, we file with the City of Memphis Permit Office and secure sign-off from the Memphis Police Department Special Events unit and Traffic Engineering for any street closures. That means you get one team managing approvals, load-in timing and technical requirements alongside your venue contact, so your projection mapping or immersive build moves from concept to showtime without surprises.
There is no flat rate for projection mapping in Memphis, because every build is scoped to the surface and the story. Cost is driven by the scale of the canvas, whether it is the facade of the Renasant Convention Center or the Hernando de Soto Bridge, the complexity of the custom content, how many nights the activation runs, and the equipment and crew needed on site. Interactive installations, room-scale environments and projection domes carry their own production demands, and permitting through the City of Memphis Permit Office adds lead time.
Lead time depends on the scale of the project. Custom content, a site survey, equipment and crew scheduling, and permitting all take time, and large building projections and outdoor events need the longest runway. Outdoor special events are filed with the City of Memphis Permit Office and require sign-off from the Memphis Police Department Special Events unit and Traffic Engineering for street closures. Get in touch as soon as the venue and date are known.
The difference is the surface, not the software. Standard projection mapping paints flat planes like a screen or wall, while 3D projection mapping accounts for depth, contour and angle, so imagery wraps corners and holds its perspective from the viewing position. On the Hernando de Soto Bridge, that means mapping to steel arches, cables and piers rather than a single flat face, keeping the illusion intact as guests move along Tom Lee Park.
In addition to projection mapping, we offer dome projection for fully immersive 360-degree spherical experiences, event and project design for end-to-end production planning, and animation and visual storytelling for original content creation. Many of our Memphis clients combine projection mapping with one or more of these services into a single integrated production. We are a full-service immersive experience company, and the strongest work we build is conceived as a whole from the first conversation.
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